
BERLIN (AFP) – The sole Asian contender for the Berlin film festival's Golden Bear top prize, minimalist South Korean breakup drama "Come Rain, Come Shine", met with jeers from critics Thursday.
It tells the story of a woman who announces to her husband she is leaving him but, before she goes, spends one last day with him in their home -- an experience that fills them both with longing and regret.
"Saranghanda, Saranghaji Anneunda", as the film is called in Korean, features long takes of shifting weather patterns, wistful gazes out of windows at falling rain, sparse dialogue, little music, and a pared-down plot.
It was the fourth Berlinale outing for director Lee Yoon-ki, and his first competition entry.
But despite the prominent cast including Lim Soo-jung, who last appeared at the festival in 2008 in Park Chan-wook's quirky "I'm a Cyborg But That's OK", and Seoul heart-throb Hyun Bin, critics loudly booed the bleak picture.
"I know I have more of a spotlight on me in the competition so the reaction might be more critical but I'm happy for the exposure," Lee said.
The 45-year-old director, who studied business management at the University of Southern California before becoming a film-maker, was asked by a French reporter whether Korean audiences might be more responsive to the picture.
"It's not a mainstream film, not everyone will like it," he said. "Of course it is the hope that we have as directors that a lot of people will want to see our movie but that is not always the case."
Hyun defended the film's art-house ambitions.
"We need slow-moving films that go deep into the emotions of their characters. If you only have an audience for action films then we won't have a lot of development in the industry," he said.
"I'd like to make a contribution to seeing a broader range of films made in Korea."
"Come Rain, Come Shine" is one of 16 contenders for the festival's Golden and Silver Bear prizes, which will be handed out a gala ceremony Saturday by a jury led by Italian-American actress and director Isabella Rossellini.
Yahoo News
They still boo at theateres? Is that even professional? Smh.
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Date: 2011-02-19 11:37 am (UTC)There are good and bad films made on every continent, and the smaller lesser known ones are usually the best.
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Date: 2011-02-19 03:39 am (UTC)I'm still unemployed... I'd gladly take their jobs, since they obviously can't handle being professionals.
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Date: 2011-02-19 03:43 am (UTC)sounds like something i'd find in ballad-y/sad song music videos except there'll be more music.
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Date: 2011-02-19 09:10 am (UTC)And in Europe, silence and no clappings at the end of a showing is actually the worst thing that could happen to a movie. When Apichatpong Weerasethakul's "Unclee Boonmee" was shown in Cannes last year, nobody booed, nobody left, they didn't even clap, this was sooo embarrassing. Still it won the "palmes d'or" and it was even more embarrassing at the ceremony because people clapped just out of politeness :/
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Date: 2011-02-19 04:06 am (UTC)Booing is so common at film festivals.
At least they stayed for the entire movie and didn't walk out half-way through it like it happens to many other movies. I swear that during Sundance early this year there were many reports each day about most movies being shown having critics walking out during them.
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Date: 2011-02-19 05:40 am (UTC)In other news: FUCK YES KING OF LIMBS ♥♥♥
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Date: 2011-02-19 07:12 am (UTC)haha whoever wrote this doesn't seem to have a very high regard for the firm as well. it does sound like a very pretentious film though.
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Date: 2011-02-19 07:24 pm (UTC)Though, the critics are not fully unwelcoming to Asian movies, they really liked Lost in Beijing back in 2007.
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Date: 2011-02-19 08:05 pm (UTC)