[identity profile] ashiva.livejournal.com posting in [community profile] omonatheydid

Members of Girls' Generation performs during the Incheon Korean Wave Festival at Incheon Munhak Stadium on August 29, 2010 in Incheon, South Korea.

SEOUL—Last August, a popular South Korean pop group called Girls' Generation made its first trip to Japan and, to the surprise of its managers, sold out an arena. The secret formula for the debut: a Japanese language song— and some business assistance from YouTube.

Weeks ahead of the concert, the group's recording label, SM Entertainment Inc., placed a video of the Japanese-language song on YouTube and allowed fans to copy and re-post it on any website, driving radio requests and online chatter.

It was part of SM's new online video strategy. Last year, instead of hosting its videos itself, it began distributing video of its acts on Google Inc.'s YouTube and using the service's copyright detection technology to block illegally uploaded video and sell ads against its own authorized clips. Its two biggest competitors in South Korea, YG Entertainment and JYP Productions, and about two dozen smaller labels have done the same thing.

Long used by U.S. media companies, YouTube's video-management features are gaining traction in emerging markets where local content producers are seeking a cheap way to reach overseas audiences and create demand for its artists without having to open offices or partner with labels in other countries. U.S.-based Google and YouTube often aren't the biggest search engine or online video outlet in Asian countries, but they're well known enough that consumers surf them to look for content that's not promoted by local search engines.

The South Korean music industry's embrace of the company is also an attempt to earn money from and gain information about its content that consumers are distributing online. YouTube's three-year-old system for spotting duplicates of protected material, known as Content ID, gives entertainment producers more choices for dealing with consumers sharing their content. A television studio or record label, for instance, can decide to block an illegally uploaded video, monitor how it's used and watched or place advertisements on it, spliting revenue with YouTube.

SM's chief executive Kim Young-min said the partnership with YouTube saves SM thousands of dollars in monthly costs for maintaining video servers on dozens of Web sites for its acts.

But he said the main purpose of working with YouTube is promotional. "Rather than being on each video delivery site in each country, it's much better for us to be on a world-wide channel like YouTube," he said.

For Google, convincing labels like SM to work with YouTube is an important part of repairing its still-rocky relationship with many content producers, who have been worried about Google's role in facilitating online piracy or devaluing their content online, among other things.

"It's critical that content owners are well-compensated so they can continue to do what they do," said Shailesh Rao, Google's chief for YouTube in Asia.

Google showed SM how it could customize advertising to the local where a viewer is watching, not where the video was uploaded from. A Japanese fan watching an SM artist sees a Japanese ad, while an American sees ads from the U.S.

Mr. Kim said the advertising revenue is "not huge" but it was enough to increase his interest in working with Google and YouTube.

The partnership has expanded beyond the Girls' Generation campaign in Japan. Now, SM is looking for new talent via YouTube. Last month, some of SM's biggest acts, including Girls' Generation and Shinee, made video ads on YouTube for auditions that the record label is holding in places like China, Canada and the U.S.

"Five years ago, if we wanted to launch and promote an artist, we had to follow a traditional path and work with traditional media like TV,"
Mr. Kim said. "But these days, with the rise of Internet media like YouTube, even before our talent leaves South Korea, a lot of fans have a chance to watch them."

—Amir Efrati and Jaeyeon Woo contributed to this article.

Source: Evan Ramstad @ The Wall Street Journal (you need to have a paid subscription or access news through google news link to see the full article @ wsj.com)
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Date: 2011-01-14 07:53 pm (UTC)
From: [identity profile] awkwardnormalcy.livejournal.com
THIS, I wouldn't label myself a sone, but I'd be more than excited to go see them if i had the chance.

Date: 2011-01-14 12:04 am (UTC)
From: [identity profile] pleasewantme.livejournal.com
oh oh oh oh

Date: 2011-01-14 12:09 am (UTC)
From: [identity profile] doumyoujitsukas.livejournal.com
first cnn, now the wall street journal. oh kpop.

Date: 2011-01-14 12:10 am (UTC)
From: [identity profile] violetrosie.livejournal.com
Thank god there were Soshi videos on Youtube, or I wouldn't be typing this comment right now xD

Date: 2011-01-14 02:21 am (UTC)
From: [identity profile] pitri73.livejournal.com
For real. My introduction to KPop was "Gee." The video popped up in the "videos being watched right now" section. I am now a huge fan of SNSD and listen to K-Pop all the time. I don't even keep up with my country's music anymore....

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From: [identity profile] violetrosie.livejournal.com - Date: 2011-01-14 02:55 am (UTC) - Expand

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From: [identity profile] swallowedkey.livejournal.com - Date: 2011-01-14 06:04 am (UTC) - Expand

Date: 2011-01-14 12:11 am (UTC)
From: [identity profile] feel-my-mind.livejournal.com
We have youtube here too! And more than just in Cali.

Date: 2011-01-14 12:12 am (UTC)
From: [identity profile] mrckdexter.livejournal.com
My response:
"Kpop in the Wallstreet Journal?! *click*
Oh, it's Girl's Generation..."

Date: 2011-01-14 12:13 am (UTC)
From: [identity profile] askbask.livejournal.com
Or, you know, you could stop being childish, read the article and see that it relates to k-pop and new media strategies in general.

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Date: 2011-01-14 12:14 am (UTC)
From: [identity profile] junhobrand.livejournal.com
i had the SAME exact reaction lol

Date: 2011-01-14 12:15 am (UTC)
From: [identity profile] 831panda831.livejournal.com
+1

I should have seen it coming lmao

Date: 2011-01-14 12:20 am (UTC)
From: [identity profile] umbrella-smile.livejournal.com
You uh, didn't get that from the preview image?

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From: [identity profile] gator-yoong.livejournal.com - Date: 2011-01-14 01:26 am (UTC) - Expand
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Swan <3

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Date: 2011-01-14 12:14 am (UTC)
From: [identity profile] lee-chikin.livejournal.com
Another post about the discovery of hot water. Yeah, internet can bring big money, YEAH, INTERNATIONAL NON-KOREAN FANS CAN BRING BIG MONEY.

Date: 2011-01-14 12:14 am (UTC)
From: [identity profile] t-domination.livejournal.com
lol wall street journal in omona

i think gtop's live perf/presscon/whatever is a better example of this tho

Date: 2011-01-14 12:20 am (UTC)
From: [identity profile] aplacetodwell.livejournal.com
It was a good idea, but that broadcast was a disaster.

Date: 2011-01-14 12:17 am (UTC)
From: [identity profile] perfume.livejournal.com
Now if only Japan was more eager about promotion through YouTube (and I don't mean just Avex and those lame partial PVs)

Date: 2011-01-14 12:22 am (UTC)
From: [identity profile] spread.livejournal.com
I hate that Avex blocks comments.
Their channel is the only place I can find (recent) BRIGHT videos.
So I have no place to flail and squee at XDD

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From: [identity profile] http://users.livejournal.com/reminisce__/ - Date: 2011-01-14 01:31 am (UTC) - Expand

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Date: 2011-01-14 12:19 am (UTC)
From: [identity profile] lysblack.livejournal.com
i still think that the company that uses youtube better is jype, mostly because they are smart enough to provide the international fandom subtitles. (both english and chinese) plus they give more than just the mvs.

even if 'im still bitter over the fact that they didn't give me real miss a.

Date: 2011-01-14 12:22 am (UTC)
From: [identity profile] quietreveries.livejournal.com
i still think that the company that uses youtube better is jype, mostly because they are smart enough to provide the international fandom subtitles. (both english and chinese)

yeah but a lot of SM songs' lyrics don't make sense or are tacky...like almost all of f(x)'s songs and ling ding dong/lucifer

plus idk if i wanted to know what they were saying i'd listen to english music

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Date: 2011-01-14 12:20 am (UTC)
From: [identity profile] quietreveries.livejournal.com
lol i'm not too surprised at seeing kpop appearing in the WSJ
they also had an article the other day about how chinese mothers > western parents or something like that

Date: 2011-01-14 12:20 am (UTC)
From: [identity profile] askbask.livejournal.com
Written by a mentally disturbed Chinese mother.

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From: [identity profile] liederkreis.livejournal.com - Date: 2011-01-14 01:18 am (UTC) - Expand

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Date: 2011-01-14 12:20 am (UTC)
From: [identity profile] 831panda831.livejournal.com
I'm really happy kpop uses youtube or allows its stuff on there ,
I honestly would have been out of this fandom since I'm lazy to look for songs and mvs elsewhere.

I already have a problem with jpop and jrock in that department :(

Date: 2011-01-14 12:26 am (UTC)
From: [identity profile] spread.livejournal.com
Try J-Urban, that shit stay underground XDD
And Japan likes to cockblock foreign currency, so finding and buying J-Urban artist works can be tricky at times..

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From: [identity profile] 831panda831.livejournal.com - Date: 2011-01-14 12:32 am (UTC) - Expand

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Date: 2011-01-14 12:25 am (UTC)
From: [identity profile] stopthedisco.livejournal.com
lol i heard something about snsd in wall street journal a while ago
such amazing girls♥

Date: 2011-01-14 01:38 am (UTC)
From: [identity profile] jactay14.livejournal.com
I really like your icon. I just watched that movie yesterday.
Just saying, lol

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Date: 2011-01-14 12:30 am (UTC)
From: [identity profile] kaylaa7x.livejournal.com



"A television studio or record label, for instance, can decide to block an illegally uploaded video, monitor how it's used and watched or place advertisements on it, spliting [sic] revenue with YouTube."

I wish they would do this part
place advertisements on it

more than this part tbh
block an illegally uploaded video

kpop fandom is so hard :'(

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From: [identity profile] gator-yoong.livejournal.com - Date: 2011-01-14 01:29 am (UTC) - Expand

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Date: 2011-01-14 01:07 am (UTC)
From: [identity profile] luvey.livejournal.com
i wish SME would get with the program and offer more, and they really should have separate channels for their artists.

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From: [identity profile] http://users.livejournal.com/reminisce__/ - Date: 2011-01-14 01:33 am (UTC) - Expand

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From: [identity profile] awkwardnormalcy.livejournal.com - Date: 2011-01-14 07:59 pm (UTC) - Expand

Date: 2011-01-14 01:58 am (UTC)
From: [identity profile] jinkerbell.livejournal.com
Ironic that the article is about economic success through free online products but they make you have a paid subscription to read it.

Newspapers, this is why you're dying.

Date: 2011-01-14 03:00 am (UTC)
From: [identity profile] queenhinata.livejournal.com
LOL. Very true~

Date: 2011-01-14 02:21 am (UTC)
From: [identity profile] tofucakes.livejournal.com
I love that JYPE is subbing all their behind-the-scenes stuff now.

Date: 2011-01-14 03:53 am (UTC)
From: [identity profile] emmapemma321.livejournal.com
IFKR, jyp knows what's up.

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From: [identity profile] geekpants.livejournal.com - Date: 2011-01-14 03:53 am (UTC) - Expand

Date: 2011-01-14 03:55 am (UTC)
From: [identity profile] emmapemma321.livejournal.com
yay snsd girls \o/

but anyway i wish SM would upload some behind the scenes, random goofy clips of soshi with eng subs on youtube one day. that would be great ;_;

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