![[identity profile]](https://www.dreamwidth.org/img/silk/identity/openid.png){kind=small}
shuumi-miss.livejournal.com posting in ![[community profile]](https://www.dreamwidth.org/img/silk/identity/community.png){kind=small}
omonatheydidby Oricon's Editor-in-Chief
The other day, I successfully had some interviews with Korean TV stations MBC and SBS. The content of the interviews are, "Why are Korean girl groups so popular in Japan?" This spring, 4minute debuted in Korea with a great standing; KARA debuted with "Mister", becoming the first foreign girl group to enter Oricon TOP 5 in the last 30 years; SNSD took the 4th spot on the DVD ranking - with all the first achievements that Korean girl groups already made, it's undeniable that the force from K-pop girl groups are very powerful. Moreover, the other day, their popularity was again shown by the amount of 22,000 audience members who attended the 3-session showcase of SNSD at Ariake Colosseum. Korean media also pays a lot of attention on this topic.
What on Earth is the secret of this popularity? I asked this NHK producer Ishihara PD's opinion on this topic to write the Korean Girl Group Sepcial Issue on Oricon in June. Ishihara PD is a person who is greatly acknowledged by the industry, he is an expert of K-pop, idols, anime, voice actors/actresses and even Visual Kei (Japanese visual rock). That's why on the programs that he produced (MUSIC JAPAN, etc.), he always shows what is currently happening in the music scene and satisfy the fans as well as the viewers. Ishihara PD predicted before that K-pop girl groups would have a big break in Japan. The other day, I visited the nearby Shibuya HMV shop that is already closed now, and from seeing how great sales of K-pop products, I am sure that his prediction has become true. Reading every single piece of information and checking the trend in CD shops now, seeing how the K-pop corner has been expanded, I have come to understand a lot about the music scene now.
Of course, my understanding and knowledge are still nothing compared to Ishihara PD. That's why I don't think my writing would be completely persuasive. However, from going to see SNSD and KARA's events and witnessing their popularity, I was shocked and asked myself, "Why is this popularity!?" It's amazing how the groups targeted on young female fans knowing that they would sell well, because from watching, 80%-90% of their fans are young females. People would think it's a relief that the female fans are supportive towards girl groups like SNSD and KARA; but in contrast, the female fans must be drawn into them because they are good-looking and cute with polished dances and catchy songs. Moreover, would we consider the groups' fashion sense and makeup style another secret of attracting female fans?
Japan is already accepting Korean dramas and music. However, among all the factors, one person who is undeniably contributed a lot to the development and maturity of K-pop market in Japan is no one but Tohoshinki. Besides them, there are also a lot more male groups, but Tohoshinki is just extraordinary. Unfortunately right now, their group's activities have been on hold, and each member is creating each own standing with individual activities. Of course each member is also greatly popular, but many fans love the 5 of them as Tohoshinki together. Their fans are probably suffering right now and that has caused a big loss in their hearts. Since the fans are mostly females in their 10s-20s, is that why they are paying attention to girl groups now? It's just my own thinking but…. If not, would the girl groups be able to sell 30,000 CDs and DVDs and attract 20,000 people to their events by themselves? Of course it's just my own opinion…….
From now on, there will be more K-pop girl groups to debut in Japan, but just like Ishihara PD has wondered - How much Japanese would they be able to speak? Would they come out with good songs in Japanese? Would the groups that already established themselves with heavy music and powerful dance continue to sell with their concept like that? There are a lot of approaches to this topic, but putting them aside and coming back to the Japanese music scene, what would Japanese artists do in order to compete against the high-leveled Korean girl groups?
…… But wouldn't it be fine not to compete against them!? No, with the rate that the CD market is growing, there's perhaps no choice but to have the artists compete for fans. Moreover, besides girl groups, popular Korean pretty-boy groups are also expressing their interests of debuting in Japan, and K-pop will make their way in to influence the Japanese music market.
J-pop shouldn't be careless.
Source: Oricon
Translation: linhkawaii @ OneTVXQ.com
Credits: OneTVXQ.com { One World. One Red Ocean. One TVXQ! }
Feel free to repost, but please leave the full credits intact. Thanks!
This is the actual article in which this korean article [LINK] is based
The other day, I successfully had some interviews with Korean TV stations MBC and SBS. The content of the interviews are, "Why are Korean girl groups so popular in Japan?" This spring, 4minute debuted in Korea with a great standing; KARA debuted with "Mister", becoming the first foreign girl group to enter Oricon TOP 5 in the last 30 years; SNSD took the 4th spot on the DVD ranking - with all the first achievements that Korean girl groups already made, it's undeniable that the force from K-pop girl groups are very powerful. Moreover, the other day, their popularity was again shown by the amount of 22,000 audience members who attended the 3-session showcase of SNSD at Ariake Colosseum. Korean media also pays a lot of attention on this topic.
What on Earth is the secret of this popularity? I asked this NHK producer Ishihara PD's opinion on this topic to write the Korean Girl Group Sepcial Issue on Oricon in June. Ishihara PD is a person who is greatly acknowledged by the industry, he is an expert of K-pop, idols, anime, voice actors/actresses and even Visual Kei (Japanese visual rock). That's why on the programs that he produced (MUSIC JAPAN, etc.), he always shows what is currently happening in the music scene and satisfy the fans as well as the viewers. Ishihara PD predicted before that K-pop girl groups would have a big break in Japan. The other day, I visited the nearby Shibuya HMV shop that is already closed now, and from seeing how great sales of K-pop products, I am sure that his prediction has become true. Reading every single piece of information and checking the trend in CD shops now, seeing how the K-pop corner has been expanded, I have come to understand a lot about the music scene now.
Of course, my understanding and knowledge are still nothing compared to Ishihara PD. That's why I don't think my writing would be completely persuasive. However, from going to see SNSD and KARA's events and witnessing their popularity, I was shocked and asked myself, "Why is this popularity!?" It's amazing how the groups targeted on young female fans knowing that they would sell well, because from watching, 80%-90% of their fans are young females. People would think it's a relief that the female fans are supportive towards girl groups like SNSD and KARA; but in contrast, the female fans must be drawn into them because they are good-looking and cute with polished dances and catchy songs. Moreover, would we consider the groups' fashion sense and makeup style another secret of attracting female fans?
Japan is already accepting Korean dramas and music. However, among all the factors, one person who is undeniably contributed a lot to the development and maturity of K-pop market in Japan is no one but Tohoshinki. Besides them, there are also a lot more male groups, but Tohoshinki is just extraordinary. Unfortunately right now, their group's activities have been on hold, and each member is creating each own standing with individual activities. Of course each member is also greatly popular, but many fans love the 5 of them as Tohoshinki together. Their fans are probably suffering right now and that has caused a big loss in their hearts. Since the fans are mostly females in their 10s-20s, is that why they are paying attention to girl groups now? It's just my own thinking but…. If not, would the girl groups be able to sell 30,000 CDs and DVDs and attract 20,000 people to their events by themselves? Of course it's just my own opinion…….
From now on, there will be more K-pop girl groups to debut in Japan, but just like Ishihara PD has wondered - How much Japanese would they be able to speak? Would they come out with good songs in Japanese? Would the groups that already established themselves with heavy music and powerful dance continue to sell with their concept like that? There are a lot of approaches to this topic, but putting them aside and coming back to the Japanese music scene, what would Japanese artists do in order to compete against the high-leveled Korean girl groups?
…… But wouldn't it be fine not to compete against them!? No, with the rate that the CD market is growing, there's perhaps no choice but to have the artists compete for fans. Moreover, besides girl groups, popular Korean pretty-boy groups are also expressing their interests of debuting in Japan, and K-pop will make their way in to influence the Japanese music market.
J-pop shouldn't be careless.
Source: Oricon
Translation: linhkawaii @ OneTVXQ.com
Credits: OneTVXQ.com { One World. One Red Ocean. One TVXQ! }
Feel free to repost, but please leave the full credits intact. Thanks!
This is the actual article in which this korean article [LINK] is based
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png){kind=small}
no subject
Date: 2010-09-03 09:55 pm (UTC)no subject
Date: 2010-09-03 09:42 pm (UTC)no subject
Date: 2010-09-03 09:55 pm (UTC)no subject
Date: 2010-09-03 09:43 pm (UTC)no subject
Date: 2010-09-04 12:17 am (UTC)gd cassies.
Date: 2010-09-03 09:46 pm (UTC)no subject
Date: 2010-09-03 09:47 pm (UTC)no subject
Date: 2010-09-03 09:48 pm (UTC)kbye.
no subject
Date: 2010-09-03 09:57 pm (UTC)(no subject)
From:(no subject)
From:(no subject)
From:(no subject)
From:(no subject)
From:(no subject)
From:(no subject)
From:(no subject)
From:(no subject)
From:(no subject)
From:(no subject)
From:(no subject)
From:no subject
Date: 2010-09-03 10:38 pm (UTC)BoA was considered a J-pop act and almost never brought up the fact that she was korean. Most people thought she was japanese.
(no subject)
From:(no subject)
From:(no subject)
From:(no subject)
From:(no subject)
From:(no subject)
From:(no subject)
From:(no subject)
From:(no subject)
From:(no subject)
From:(no subject)
From:no subject
Date: 2010-09-03 09:53 pm (UTC)no subject
Date: 2010-09-03 10:18 pm (UTC)no subject
Date: 2010-09-03 10:45 pm (UTC)no subject
Date: 2010-09-03 09:55 pm (UTC)Maybe it does help that DBSK was there before, but jfc at least give the girls SOME credit. I mean, Kara's single even sold more than Big Bang's album.
no subject
Date: 2010-09-03 09:57 pm (UTC)(no subject)
From:(no subject)
From:(no subject)
From:no subject
Date: 2010-09-03 09:58 pm (UTC)no subject
Date: 2010-09-03 10:03 pm (UTC)Korean groups debuting in japan is old meme.
Let's bring Japan to Korea!!
See how that would work.
(yes I know it's kinda been done before...but half assed.)
Korea shouldn't get to have all the
wankfun :DD/sarcasm..in reality I don't give a damn
no subject
Date: 2010-09-04 10:34 pm (UTC)no subject
Date: 2010-09-03 10:06 pm (UTC)I'm all for K-pop going worldwide but yeah. Going next door is the next logical/easiest step for a group already big in Korea. Most groups are not looking to build up a DBSK or BoA type career in Japan; Korea will always be their primary focus.
no subject
Date: 2010-09-03 11:13 pm (UTC)(no subject)
From:no subject
Date: 2010-09-03 10:20 pm (UTC)no subject
Date: 2010-09-03 10:36 pm (UTC)Also BoA was never considered a korean act in Japan, most people thought she was japanese so she did very little for all these new acts being marketed as foreigners/korean groups...
(no subject)
From:(no subject)
From:(no subject)
From:o/t BUT...
Date: 2010-09-03 10:35 pm (UTC)Re: o/t BUT...
Date: 2010-09-03 10:45 pm (UTC)Re: o/t BUT...
From:Re: o/t BUT...
From:no subject
Date: 2010-09-03 10:37 pm (UTC)I have to add, one of the things I love about dbsk is how they did not enter the japanese market as dbsk. Meaning they worked as if they were beginnners, learned the language and culture, trying to win the hearts of the japanese and that's how they made it.
no subject
Date: 2010-09-03 10:41 pm (UTC)(no subject)
From:(no subject)
From:no subject
Date: 2010-09-03 10:48 pm (UTC)no subject
Date: 2010-09-04 03:55 am (UTC)(no subject)
From:no subject
Date: 2010-09-03 10:58 pm (UTC)This was Tokyo Dome 2009.
no subject
Date: 2010-09-04 06:57 am (UTC)(no subject)
From:no subject
Date: 2010-09-03 11:06 pm (UTC)Yes they broke down a lot of barriers that kpop groups faced but that does not mean kpop groups automatically get success because of it.
no subject
Date: 2010-09-04 02:02 am (UTC)(no subject)
From:(no subject)
From:(no subject)
From:(no subject)
From:no subject
Date: 2010-09-03 11:41 pm (UTC)js
no subject
Date: 2010-09-04 10:37 pm (UTC)no subject
Date: 2010-09-04 03:48 am (UTC)no subject
Date: 2010-09-04 04:54 am (UTC)THSK is big, and they are the first korean artist who have a solid fan club and established themselves in Japan (bigeast is one of the biggest fanclub in avex).
(I remember Daesung said that THSK fame in japan is phenomenal and he didn't know it unless he see it by himself. Because korean media never write about it)...
no subject
Date: 2010-09-04 11:04 am (UTC)no subject
Date: 2010-09-04 12:12 pm (UTC)no subject
Date: 2010-09-04 01:54 pm (UTC)and The Arama / Omona feud is so tired. There are idiots in both communities just as their are levelheaded people in both communities.
I'm mostly talking about what was posted in the past not this article. /end rant
no subject
Date: 2010-09-04 10:39 pm (UTC)by your logic, big bang wouldn't be flopping right now then. they didn't open no doors. the internet/globalization did.