By Kang Hyun-kyung
Makgeolli, Korean rice wine also known as “drunken rice” in English, has been a big hit in Japan with its consumption soaring three times this year, compared with that of a year ago.
The domestic liquor became popular among Japanese, a century after Japan annexed Korea by force.
Now Korea has conquered Japanese taste buds with its cuisine and won their hearts and minds with dramas and K-pop.
“One of the distinctive trends shown in Japan after the Korean wave or hallyu was that women in their 40s and 50s have become active Internet users,” Maki Tsuchida, a journalist based in Seoul and long-time watcher of the Korean wave, told The Korea Times.
“These women, mostly housewives, explore the World Wide Web to find information about when and where they will meet with their idols. Before the Korean wave, these women were considered inactive Internet users because they were busy with household chores and support of their family members,”
But now, he added, they became active bloggers posting their messages and finding information on forthcoming fan meetings and other schedules.
Yasushi Hatta, a freelance journalist and food columnist contributing Korean food columns for Asahi.com, said Japanese people’s growing interest in Korean cuisine was partly caused by hallyu there.
“Korean restaurants have popped up here and there in Japan since 2005. Now, many Japanese enjoy a variety of Korean foods from cold noodles to bibimbap to Korean barbeque,” Hatta said.
Tsuchida said the popularity of Korean dramas reached their peak from 2003 to 2005, calling the period the golden days of the Korean wave.
“The hit drama `Winter Sonata’ was first aired in 2002 and Japanese women in their 40s, 50s and even 60s were mesmerized by the lead actor Bae Yong-joon called Yonsama in Japan, after that,” the Japanese journalist said.
Tsuchida said they were the fans of pop idols when they were in their 20s and Japanese pop music was popular.
“Now these women fans play a key role in sustaining the Korea boom in Japan,” he said.
‘Neo-hallyu’
In the early 2000s when hallyu drew attention from the Japanese media, most fans were middle-aged women.
Now, young Japanese show up at K-pop artists’ concerts or performances.
Hallyu experts say the shift in the age of fans from middle-aged housewives to young people in their 20s was made after the five-member boy band TVXQ gained popularity in Japan.
This year, several Korean girl groups, including Girls’ Generation and Kara, have made their debut there. Girls’ Generation made its official debut Wednesday.
Five-member dance group Kara performed in downtown Tokyo on Aug. 11 to promote its debut album. They were originally scheduled to perform for 30 minutes but they had to end the performance five minutes later, as thousands of young people flocked to their street concert.
Police asked them to stop performing for the safety of the audience.
Asked if these Korean girl groups can be successful, Kim Eun-joo, a publicist for Kara, pointed to the sales record of their first album, instead of giving a direct answer to the question.
“For the first week after Kara made its debut, approximately 30,000 albums were sold in Japan. I think this is a pretty good start,” she said.
Tsuchida was cautious about the prospect for Korean girl groups’ continuing popularity in Japan.
“The secret of TVXQ’s success is that young women in their 20s like them very much for they are handsome and their dance skills are awesome. To be successful, those girl groups will have to secure male fans,” he said. “It remains to be seen if they can be as successful as TVXQ because the girl groups have made their debuts lately.”
Nationalism-driven territory claim
Jin Chang-soo, a senior fellow of the Sejong Institute, a think tank, said the past century saw both positive outcomes and negative fallouts.
He said people in the two countries came to have improved impressions of their counterparts.
“Japanese people came to have a better understanding of Koreans after they watched Korean dramas. I think that probably now is the time when the reputation of Koreans is most positive among Japanese,” the scholar said.
The Korean wave in Japan prompted a sharp increase of Japanese tourists coming here.
Amid growing human and cultural exchanges, Jin said a feud between the neighboring nations has deepened over history since 2000.
Japan stepped up its territorial claim over Dokdo in school textbooks and the defense white paper.
In response, the Korean government has stepped up its effort to spread the fact that Dokdo is part of Korea.
Chung Jae-jeong, president of the Northeast Asian History Foundation, called the intensifying territory claims between the two sides since 2000 “a war over history.”
The historian said the end of the Cold War probably prompted the two nations to step up territory claims.
“During the Cold War when the two blocs ― one led by the United States and the other spearheaded by the former Soviet Union ― were in conflict, the history issue had been `sealed’ for the sake of the greater common interest ― security,” Chung said.
“In the post-Cold War era, a growing number of nations, including China, opted for nationalism. Intensified territory claims in Korea and Japan should be understood in the context of nationalism.”
source: www.koreatimes.co.kr/www/news/nation/2010/08/117_72123.html
Makgeolli, Korean rice wine also known as “drunken rice” in English, has been a big hit in Japan with its consumption soaring three times this year, compared with that of a year ago.
The domestic liquor became popular among Japanese, a century after Japan annexed Korea by force.
Now Korea has conquered Japanese taste buds with its cuisine and won their hearts and minds with dramas and K-pop.
“One of the distinctive trends shown in Japan after the Korean wave or hallyu was that women in their 40s and 50s have become active Internet users,” Maki Tsuchida, a journalist based in Seoul and long-time watcher of the Korean wave, told The Korea Times.
“These women, mostly housewives, explore the World Wide Web to find information about when and where they will meet with their idols. Before the Korean wave, these women were considered inactive Internet users because they were busy with household chores and support of their family members,”
But now, he added, they became active bloggers posting their messages and finding information on forthcoming fan meetings and other schedules.
Yasushi Hatta, a freelance journalist and food columnist contributing Korean food columns for Asahi.com, said Japanese people’s growing interest in Korean cuisine was partly caused by hallyu there.
“Korean restaurants have popped up here and there in Japan since 2005. Now, many Japanese enjoy a variety of Korean foods from cold noodles to bibimbap to Korean barbeque,” Hatta said.
Tsuchida said the popularity of Korean dramas reached their peak from 2003 to 2005, calling the period the golden days of the Korean wave.
“The hit drama `Winter Sonata’ was first aired in 2002 and Japanese women in their 40s, 50s and even 60s were mesmerized by the lead actor Bae Yong-joon called Yonsama in Japan, after that,” the Japanese journalist said.
Tsuchida said they were the fans of pop idols when they were in their 20s and Japanese pop music was popular.
“Now these women fans play a key role in sustaining the Korea boom in Japan,” he said.
‘Neo-hallyu’
In the early 2000s when hallyu drew attention from the Japanese media, most fans were middle-aged women.
Now, young Japanese show up at K-pop artists’ concerts or performances.
Hallyu experts say the shift in the age of fans from middle-aged housewives to young people in their 20s was made after the five-member boy band TVXQ gained popularity in Japan.
This year, several Korean girl groups, including Girls’ Generation and Kara, have made their debut there. Girls’ Generation made its official debut Wednesday.
Five-member dance group Kara performed in downtown Tokyo on Aug. 11 to promote its debut album. They were originally scheduled to perform for 30 minutes but they had to end the performance five minutes later, as thousands of young people flocked to their street concert.
Police asked them to stop performing for the safety of the audience.
Asked if these Korean girl groups can be successful, Kim Eun-joo, a publicist for Kara, pointed to the sales record of their first album, instead of giving a direct answer to the question.
“For the first week after Kara made its debut, approximately 30,000 albums were sold in Japan. I think this is a pretty good start,” she said.
Tsuchida was cautious about the prospect for Korean girl groups’ continuing popularity in Japan.
“The secret of TVXQ’s success is that young women in their 20s like them very much for they are handsome and their dance skills are awesome. To be successful, those girl groups will have to secure male fans,” he said. “It remains to be seen if they can be as successful as TVXQ because the girl groups have made their debuts lately.”
Nationalism-driven territory claim
Jin Chang-soo, a senior fellow of the Sejong Institute, a think tank, said the past century saw both positive outcomes and negative fallouts.
He said people in the two countries came to have improved impressions of their counterparts.
“Japanese people came to have a better understanding of Koreans after they watched Korean dramas. I think that probably now is the time when the reputation of Koreans is most positive among Japanese,” the scholar said.
The Korean wave in Japan prompted a sharp increase of Japanese tourists coming here.
Amid growing human and cultural exchanges, Jin said a feud between the neighboring nations has deepened over history since 2000.
Japan stepped up its territorial claim over Dokdo in school textbooks and the defense white paper.
In response, the Korean government has stepped up its effort to spread the fact that Dokdo is part of Korea.
Chung Jae-jeong, president of the Northeast Asian History Foundation, called the intensifying territory claims between the two sides since 2000 “a war over history.”
The historian said the end of the Cold War probably prompted the two nations to step up territory claims.
“During the Cold War when the two blocs ― one led by the United States and the other spearheaded by the former Soviet Union ― were in conflict, the history issue had been `sealed’ for the sake of the greater common interest ― security,” Chung said.
“In the post-Cold War era, a growing number of nations, including China, opted for nationalism. Intensified territory claims in Korea and Japan should be understood in the context of nationalism.”
source: www.koreatimes.co.kr/www/news/nation/2010/08/117_72123.html
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Date: 2010-08-28 01:41 am (UTC)no subject
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Date: 2010-08-28 01:45 am (UTC)no subject
Date: 2010-08-28 01:48 am (UTC)no subject
Date: 2010-08-28 01:55 am (UTC)I can understand that it's a probably a pride thing (and the natural resources there could be beneficial to either country), but seriously? It's called "negotiation" and "diplomacy". It may be necessary to revert back to Kindergarten days: "You either share, or you don't get any at all."
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Date: 2010-08-28 01:59 am (UTC)I can see where you're coming from, but the issue (as well as the East Sea issue) touch very deeply into the culture and prick at some extremely sensitive memories. You ought not to liken such things to kindergarten.
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Date: 2010-08-28 07:43 am (UTC)you could say that the past is the past and that they should move on, but a lot of those past issues between south koreans and japan are very alive today, like the tragic case of "comfort women" and their consistent riots in front of the Korean Embassy for better recognition and compensation from what Japan did to them and their families. i could go into way more detail, but i'm not really in the mood. i didn't write this to bag on japan or make them out to be monsters, i just wanted to write this to suggest that you should take into account the history between two countries before accusing them of being childish in their disputes. i agree that pride does have a lot to do with it, but more than that is the sense of fear and the loss of identity and power that south korea has constantly had to deal with in the course of its existence. even now, with american troops and bases occupying south korea, they are subjugated to a "higher" power in their own country that they kind of have no choice but to accept. it's either that, or risk being invaded by north korean communists. so you see...south korea has always been occupied by some other power, which has fucked up a lot of social, economic, and psychological aspects of their lives. this is why controversy about the islands isn't too surprising to me, if i think of the history and the relationship between the two countries.
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Date: 2010-08-28 08:18 pm (UTC)it's not about neither of the country's ego or whatever.
it's for the territory of ocean/sea
and by that territory there are a lot of profits involved.
NOT a small issue.
said by both kor+jap
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Date: 2010-08-28 01:56 am (UTC)And now it's hard to find someone who can name a recent Morning Musume song, while it's cake to find someone bop along to "Abracadabra" or "Gee" or "Nobody". Interesting times.
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Date: 2010-08-28 01:58 am (UTC)(no subject)
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Date: 2010-08-28 02:14 am (UTC)(no subject)
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Date: 2010-08-28 03:27 am (UTC)no subject
Date: 2010-08-28 02:12 am (UTC)and nobody can't take that away from them lol
I do think snsd or Kara can be more successful than male groups (big bang for example) if they focus in Japan
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Date: 2010-08-28 02:51 am (UTC)Was someone even trying lol
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Date: 2010-08-28 02:49 am (UTC)The difference between korean music and japanese music is that japanese music has been popular for a long time thanks to its diversity and the fact that it really isn't american wannabe songs in korean.
Honestly i just want to see kpop crash and burn. I've been with it since 01 and ill stick around after that. But seeing something popular crash and burn is oddly fulfilling.
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Date: 2010-08-28 02:56 am (UTC)(no subject)
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Date: 2010-08-28 03:30 am (UTC)no subject
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Date: 2010-08-28 03:51 am (UTC)however, the power of winter sonate is indeed still very strong. even in a very small town like miharu, 'yon-sama' is known and on the latest ads, as always (where even boa or tohoshinki is barely known).
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Date: 2010-08-28 08:01 am (UTC)When it comes to J-pop there is far more diversity and actual musicians make it. It's sad that when it comes to K-pop the only way to become a popular musician is to be an idol. Part of a boy band, girl group or just a solo idol. Singing and dancing is important, yes. But the artistic side of an artist is also very important too. Very few are the cases where real musicians make it, and on top of that, they still aren't as popular as the idols.
Don't get me wrong, I love K-pop, but for me it's just plain entertainment. Honestly I don't admire it's idols as musicians, I don't see any artistic value (in the sense of music itself). But, of course, they have a huge passion on what they do. They train for years, they develop their amazing vocals, and do outstanding performances. But that's just it, that's what they are, they're entertainers.
As much as I love K-pop, it's not my music bias, because there's far better music out there, real music, by people that are in it FOR the music. Not for the fame or for being idolized. I mean, K-pop now-a-day is just just mainstream electropop (mostly the promotional songs, at least in their albums they have their ballads and whatnot). They all have the same sound. Use same concepts, etc. Some do it better than others, yes. But there isn't variety in the genre itself. While Japan has so many different genres and styles in it.
Japan also has it's fair share of idols, many many idols. But you also see real musicians in the mainstream crowd, and that's what I love about the industry. The variety of musical talents in it.
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Date: 2010-08-28 09:23 am (UTC)but yeah Japan has a much larger industry with more variety, it's true.
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Date: 2010-08-28 08:14 pm (UTC)and this nationalism/ww2 thing literally tears me apart.
i love you korea and japan <3
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Date: 2010-08-29 01:11 am (UTC)